<aside> 📚 书籍、媒体资源等等

</aside>

Media

• Whitaker, A. (2019). Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts. Artivate: A Journal of Enterprise in the Arts, 8(2), 21–47. https://doi.org/10.34053/artivate.8.2.2
• Whitaker, A., Bracegirdle, A., de Menil, S., Gitlitz, M. A., & Saltos, L. (2021). Art, antiquities, and blockchain: new approaches to the restitution of cultural heritage. International Journal of Cultural Policy, 27(3), 312–329. https://doi.org/10.1080/10286632.2020.1765163
• Zhang, N. (2021). Being An Artist Is Hard: Navigating the Dynamics of Money and Power. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.3848647
• Abbate, T., Vecco, M., Vermiglio, C., Zarone, V., & Perano, M. (2022). Blockchain and art market: resistance or adoption? Consumption Markets & Culture, 1–19. https://doi.org/10.1080/10253866.2021.2019026
• Woodall, A., & Ringel, S. (2020). Blockchain archival discourse: Trust and the imaginaries of digital preservation. New Media and Society, 22(12), 2200–2217. https://doi.org/10.1177/1461444819888756
• Zheng, Y. (2021). Blockchain, Privacy, and Artwork Registries: Consensus between Constraints. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.3857241
• Lotti, L. (2016). Contemporary art, capitalization and the blockchain: On the autonomy and automation of art’s value. Finance and Society, 2(2), 96–110. https://doi.org/10.2218/finsoc.v2i2.1724
• Finucane, B. P. (2018). Creating With Blockchain Technology: the “Provably Rare” Possibilities of Crypto Art [University of British Columbia]. https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/24/items/1.0370991
• Franceschet, M., Colavizza, G., Smith, T., Finucane, B., Ostachowski, M. L., Scalet, S., Perkins, J., Morgan, J., & Hernández, S. (2021). Crypto art: A decentralized view. Leonardo, 54(4), 402–405. https://doi.org/10.1162/leon_a_02003
• Zeilinger, M. (2018). Digital Art as ‘Monetised Graphics’: Enforcing Intellectual Property on the Blockchain. Philosophy and Technology, 31(1), 15–41. https://doi.org/10.1007/s13347-016-0243-1
• Trice, E. (2020). Digitizing the Aura: A Systems Update for the Contemporary Art World [University of Denver]. Master’s Thesis. https://digitalcommons.du.edu/etd/1866/
• Lotti, L. (2018). Financialization as a Medium: Speculative Notes on Post-Blockchain Art. In Moneylab Reader 2: Overcoming the Hype. https://networkcultures.org/wp-content/uploads/2018/01/MONEYLABREADER2OVERCOMINGTHEHYPE.pdf
• Valera, S. C., Valdés, P. F., & Viñas, S. M. (2021). NFT and digital art: New possibilities for the consumption, dissemination and preservation of contemporary works of art. Artnodes, 2021(28), 1–10. https://raco.cat/index.php/Artnodes/article/view/n28-valdes
• Joselit, D. (2021). NFTs, or the readymade reversed. October, 175, 3–4. https://doi.org/10.1162/octo_a_00419
• Brown, K. (2021). Screen culture, online auctions, and art market spectacle. Visual Studies, 1–12. https://doi.org/10.1080/1472586X.2021.1915176
• Sidorova, E. (2019). The Cyber Turn of the Contemporary Art Market. Arts, 8(3), 84. https://doi.org/10.3390/arts8030084
• Trautman, L. J. (2021). Virtual Art and Non-fungible Tokens. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.3814087